Why does roderick put madeline in the vault

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He could be having problems with impotence, or just has a lower sex drive now. For other reasons, see link below. Log in. Edgar Allan Poe. Study now. See Answer. Best Answer. Study guides. Poetry 20 cards. What does a line over a fraction number mean. What is the rhyme scheme for sonnet What are the poetic devices use in The road not taken. Henry David Thoreau 21 cards. How do you resolve the componets of an object easily.

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What are Roderick reason for placing Madeline in the vault below the house? What did Saint Madeleine Sophie Barat do to become a saint? Which of the Phrases below is an example of list words? How much do houses cost on the Madeline Island? Reasons for the failure of the concert of Europe? The narrator then tells us that nevermore will he see her alive. Of course, then, the question at the end of the story is: Was the Lady Madeline ever alive? Or is the narrator deceiving the reader by this statement?

Roderick Usher and the narrator speak no more of the Lady Madeline; they pass the days reading together or painting, and yet Usher continues to be in a gloomy state of mind. We also learn that one of Usher's paintings impresses the narrator immensely with its originality and its bizarre depiction: It is a picture of a luminous tunnel or vault with no visible outlet.

This visual image is symbolic of what will happen later; it suggests both the vault that Usher will put his sister into and also the maelstrom that will finally destroy the House of Usher. Likewise, the poem "The Haunted Palace," which Poe places almost exactly in the center of the story, is similar to the House of Usher in that some "evil things" are there influencing its occupants in the same way that Roderick Usher, the author of the poem seems to be haunted by some unnamed "evil things.

He feels that the growth around the House of Usher has this peculiar ability to feel and sense matters within the house itself. This otherworldly atmosphere enhances Poe's already grimly threatening atmosphere. One day, Roderick Usher announces that the Lady Madeline is "no more"; he says further that he is going to preserve her corpse for two weeks because of the inaccessibility of the family burial ground and also because of the "unusual character of the malady of the deceased.

At the request of Usher, the narrator helps carry the "encoffined" body to an underground vault where the atmosphere is so oppressive that their torches almost go out. Again Poe is using a highly effective gothic technique by using these deep, dark underground vaults, lighted only by torches, and by having a dead body carried downward to a great depth where everything is dank, dark, and damp.

After some days of bitter grief, Usher changes appreciably; now he wanders feverishly and hurries from one chamber to another. Often he stops and stares vacantly into space as though he is listening to some faint sound; his terrified condition brings terror to the narrator. Then we read that on the night of the "seventh or eighth day" after the death of the Lady Madeline, the narrator begins to hear "certain low and indefinite sounds" which come from an undetermined source.

As we will learn later, these sounds are coming from the buried Lady Madeline, and these are the sounds that Roderick Usher has been hearing for days. Because of his over-sensitiveness and because of the extra-sensory relationship between him and his twin sister, Roderick has been able to hear sounds long before the narrator is able to hear them.

When Usher appears at the narrator's door looking "cadaverously wan" and asking, "Have you not seen it? Usher does not identify the "it" he speaks of, but he throws open the casement window and reveals a raging storm outside — "a tempestuous.

Night, a storm raging outside while another storm is raging in Usher's heart, and a decaying mansion in which "visible gaseous exhalations. The narrator refuses, however, to allow Usher to gaze out into the storm with its weird electrical phenomena, exaggerated by their reflection in the "rank miasma of the tarn. When he comes to the section where the hero forces his way into the entrance of the hermit's dwelling, the narrator says that it "appeared to me that, from some very remote portion of the mansion, there came, indistinctly, to my ears, what might have been, in its exact similarity of character.

The narrator continues reading, and when he comes to the description of a dragon being killed and dying with "a shriek so horrid and harsh, and withal so piercing," he pauses because at the exact moment, he hears a "low and apparently distant, but harsh, protracted and most unusual screaming or grating sound" which seems to be the exact counterpart of the scream in the antique volume.

He observes Usher, who seems to be rocking from side to side, filled with some unknown terror. Very soon the narrator becomes aware of a distinct sound, "hollow, metallic and clangorous, yet apparently muffled. The noises, he believes, come from Lady Madeline: "We have put her living in the tomb!

I tell you that she now stands without the door! With the last of her energy, while she is trembling and reeling, she falls heavily upon her brother, and "in her violent and now final death-agonies, bore him to the floor a corpse, and a victim to the terrors he had anticipated.

The narrator tells us that he fled from the chamber and from the entire mansion and, at some distance, he turned to look back in the light of the "full, setting and blood-red moon" emphasis mine and saw the entire House of Usher split at the point where there was a zigzag fissure and watched as the entire house sank into the "deep and dank tarn" which covered, finally, the "fragments of the 'House of Usher.

For some of the widely differing interpretations, the reader should consult the volume Twentieth-Century Interpretations of Poe's " Fall of the House of Usher. An usher is someone who lets one in or leads one in. Thus, the narrator is ushered into the house by a bizarre-looking servant, and he is then ushered into Roderick Usher's private apartment and into his private thoughts.

Finally, usher also means doorkeeper, and as they had previously ushered Lady Madeline prematurely into her tomb, at the end of the story Lady Madeline stands outside the door waiting to be ushered in; failing that, she ushers herself in and falls upon her brother. In the concept of twins, there is also a reversal of roles. It is Usher himself who seems to represent the weak, the over-sensitive, the over-delicate, and the feminine. In contrast, Lady Madeline, as many critics have pointed out, possesses a superhuman will to live.

She is the masculine force which survives being buried alive and is able, by using almost supernatural strength, to force her way out and escape from her entombment in the vaults, and then despite being drained of strength, as evidenced by the blood on her shroud, she is able to find her brother and fall upon him.

Another reading of the story involves the possibility that Roderick Usher's weakness, his inability to function in light, and his necessity to live constantly in the world of semi-darkness and muted sounds and colors is that the Lady Madeline is a vampire who has been sucking blood from him for years. This would account for his paleness and would fit this story in a category with the stories of Count Dracula that were so popular in Europe at the time.

In this interpretation, Roderick Usher buries his sister so as to protect himself. Vampires had to be dealt with harshly; thus, this accounts for the difficulty Lady Madeline encounters in escaping from her entombment.

In this view, the final embrace must be seen in terms of the Lady Madeline, a vampire, falling upon her brother's throat and sucking the last drop of blood from him. The final paragraph supports this view in that the actions occur during the "full blood-red moon," a time during which vampires are able to prey upon fresh victims. At the opposite end of this phantasmal interpretation is the modern-day psychological view that the twins represent two aspects of one personality.

The final embrace, in this case, becomes the unifying of two divergent aspects into one whole being at birth. Certainly many Romantics considered birth itself to be a breaking away from supernatural beauty, and they believed that death was a reuniting of oneself with that original spirituality. Lady Madeline can then be seen as the incarnation of "otherworldliness," the pure spirit purged of all earthly cares.

She is, one might note, presented in this very image; at one point in the story, she seems to float through the apartment in a cataleptic state. If Usher embodies the incertitude of life — a condition somewhere between waking and sleeping — when Lady Madeline embraces him, this embrace would symbolize the union of a divided soul, indicating a final restoration and purification of that soul in a life to come.